Friday, February 26, 2010

Tuesday, February 23, 2010

God I want to have
pyrrhic feet but I also
want to be nimble

Friday, February 19, 2010

Vive l'остранение!!!

Thursday, February 18, 2010

Small Merz Tower, Seated Teletubby, Cauliflower Ear







































Zef lingo:

Brannewynvlekke – small dents and scratches on a car
Ching – money
Loodkettie – gun
Darkies – sunglasses
Vroetelvarkie – a sugar daddy
Karate-water – brandy
Graft – working or place of employment
Sponskind – a softie
Pyle – cigarettes

Tuesday, February 16, 2010

Lesson for Dropping-in:

If you want to keep your footing,
avoid wrecking your knee,
dislocating a shoulder, etc.,
you must immediately commit
all of your body-weight forward
and down, onto the front leg,
the one initially bearing no weight.
Any hesitation that sees you
still favoring the back leg
as you disengage the coping---
an instinct of caution and self-
preservation---will likely mean
busting your ass in a spill.

Saturday, February 13, 2010

Pigeons Thirstily Drinking Stagnant Water From A Granite Bench

RAUCOUS CAROUSEL:
LAISSEZ-AISLE, CELIA'S EASEL
& LAPSED CLASPS: CIAO!
CIUDAD, CUIDADO,
CUIDADO, CIUDAD,
YOU PUISSANT PISS-ANT.

(I find myself wearing
dress
shirts pretty
often,
strictly because they're
so practical.)

Friday, February 12, 2010

Cowl, Confection, or Pall?

Notes on Some Early Films of Peter Hutton

(I saw portentous billowings

dead-silent swirls, emanations of
a vast cthonic ensilvering mind---
displeased perhaps but spilling

out abundance prodigally,
requiring nothing)
......

Close-cropped visions: a shadow
and a patch of light and a few forms

quiver respire sit flash
against each other, expropriated
for a moment from
the lesser sphere of human
bustle and leverage and accounting

(No text here, no symbols at all
This is respite from language)
.......

The eye we're given refuses
to move, it transfigures through
distillation, the projector-purr
warming every tiny drama
of dark and light tones

Kinetic icons, transitory-spectral
signs---though most with no
referent---appearing and vanishing
at variable speeds
.........

We all feel a discreet tension
not untinged by dread
in waiting for something to breach
each frame, or---the tension
torqued---in responding when
something does

The smallest movement, not
occurring or not noticed at first,
in the shot's remotest corners
or, poignantly minute, in the barely
perceptible recesses of the
surface-mesh, suddenly animates
the whole, floods the austere
scene with possibility

And the eye closes, reverently,
as if to savor and swallow
the seen, the event-with-its-things

(I saw shimmers that kept
multiplying in each successive act!)

Le Parti Pris Des Choses,
unabashed love for duration,
for that which endures, and how

Wednesday, February 3, 2010

Do not fuck
with me on this, I
am determined
to grieve.

Wednesday, January 13, 2010

Friday, January 8, 2010

Discalced & sporting plantar's worts,
electrodessication & curretage
could mitigate or fix, tho' the ascetic
streak awaits other measures

"Some bustles use
a hook-and-eye
system and are
quite elaborate"

('Meticulous' originally meant fearful)

Bruxism treatable but not-to-be-nixed

A work of salvage, recuperation,
can still take care
to show signs of its prior troubles
or to present a new air of affliction
endured, as elliptical testimony

Harrow or hallow
holographic
Muttering a blue streak

(Every collage carries a poignant tinge)

Tuesday, January 5, 2010

ERROR: syntaxerror
OFFENDING COMMAND: --nostringval--

Thursday, December 24, 2009

God make me a glass
splinter in the eye of all
contempt everywhere

Thursday, December 17, 2009

Nothings

Sweet William, gone
grey-green with stall-out
bile pooling, cache

Full complement
of shoe-lasts, trifled with

Quaint trumpery, stirrup

Welter-whelp, laudanum-
stupendous balk

A teensy, shrill-magenta
aria looping between the
eighth and ninth millimeter
....

More and more
I've learned to let
evaporation do
the work for me.

Our cloven epos---"having 4 melody strings
& 17 sympathy strings"---face-plants.

(Thanks, sister,
for those red
silicone tongs, they
pinch beautifully.)

If outgoes succeed reined-in storm-outs.

Snake-oil of samothrace salve in bulk.

Wednesday, December 16, 2009

How much cold
does it take for

city-pigeons to
freeze to death

or can they wea-
ther it, no matter
...
Would that we
knew some else

to do with such
shows of aggrie-

ved endurance
such august ef-

forts at keeping
going or staying

put: admirable
pitiable, un-sto-

mach-able, nil

Tuesday, December 15, 2009

Thursday, December 3, 2009

We'll stop
trusting
you to handle
new phases of
ennui if
you ever pull
a stunt like
that again

Wednesday, November 18, 2009

Directives & Other Motivations





What I Engage & What I Want to Engage:


The peculiarly American interest in signs, and in 'conversion': typology, transcendentalism, pragmatism, modernism. The everyday, the ordinary, the small and particular, but those as more significant, even more sinister, than they are often said to be. "The vagaries of you and me."

Pragmati(ci)sm.
Uses, values, use-values. Know-how. Realist empiricism. Novelty & habit-taking, disposition. How a thing plays out. How it is found. Trying something out.

Poetry & Semiotics: ideograms, page-glyphs, speech-acts, CSP &/vs. Europe. Ordinary language: utterances performative and passional.

Poetics, both what is enacted and implied through forms and practice, and also the explicit philosophical announcements, whether exploratory or manifesto-polemical.

Form, forms, informings.

Women & Men---gender & genre comminglings, blurrings, floutings.

Long/Large poems & Small poems; large & small poetics.

Conjunctions of the verbal & the visual/tactile.
Materialisms, both productive & nefarious. Same for Science, & for Technology.
Textual scholarship, handiwork, archival exigencies.

Competing realisms.

History as always being determined, worked out, 'known,' in the present. (Olson, Howe)

Old, weird America. Errant, dirty, small, regional, rooted, perverse, silly, sacred, experimental efforts and practices (say rituals, also actual religions). Homemade/handmade. Primitive-lyrics. Visits, visitations. Things ephemeral, Lo-fi. Analogue technologies.

Violence & the Ordinary, the Vernacular: 'Life & Words'
How form and voice (style? tone?) in any so-called genre, emerges from, incorporates, and anticipates woundedness.
Writing as witness.

Forms of refusal. Forms of, allegiances to, silence.
Poetics of stuttering.
Wabi-Sabi.

Tuesday, November 17, 2009

Some Spectral Selvage


































Nothings

Mad dash, talking the talk

Weave down the aisle, missal, mass, apse

sere collect, echoing orotund

acedia, erethism, dyspnea,

extending courtesy

transference: hail/hale to alae/a la,

obeisance, complaisance,

erose...PAROUSIA

rimy stimmung, round fiats
atmosphere tuned to advantage